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Showing posts with label gothic. Show all posts
Showing posts with label gothic. Show all posts

Pernille Christensen - J. Neel Reid Prize Winner, 2003

Pernille Christensen won the 3rd Neel Reid Prize in 2003. (Read more about the prize and the winners.)



Pernille's prize project was "Retracing the Footsteps of John Ruskin." That is a tall order. Ruskin remains the artistic polymath: artist, poet, critic, teacher, philanthropist, champion of Turner, Pre-Raphaelites, and gothic. He remains contemporary and influential.

"(Pernille) documented the current state and preservation of classic carvings and decorations that have since deteriorated from the time of Ruskin’s first sketches in his 1853 book, The Stones of Venice."

At the time Pernille (pronounced: per nell' in "southern") was an intern architect with Niles Bolton Associates. She already had a B. Architecture from Mississippi State, and 2 masters, MARCH and MCRP. from Clemson. She's is now pursuing an academic career as a 2012 PhD candidate, graduate instructor, and research associate at Clemson's Richard H. Pennell Center for Real Estate Development.

When I met Pernille this July at Barnes & Noble in Alpharetta, I knew nothing of this. If you follow design, architecture, the arts, or preservation, Ruskin is hard to miss. But what did he do, really? Quite a lot. Thanks to Pernille, I'm studying.

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In fact John Ruskin's The Stones of Venice is an architecture treatise, illustrated historical preservation document, history, and travelogue.



John Ruskin from Chapter 1:

"FOR THE USE OF TRAVELERS WHILE STAYING IN VENICE AND VERONA."

"(Venice is)...a ghost upon the sands of the sea, so weak—so quiet,—so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow."

"I would endeavor to trace the lines of this image before it be for ever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the STONES OF VENICE."

Pernille found her way to the places Ruskin illustrated 160 years ago. She photographed them to document how much further they'd deteriorated.



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Pernille told me that The Stones of Venice still worked as a travelogue.



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She explained that Ruskin sought to document things exactly as they were at the time. Which is what she sought to do with her photographs.



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The breadth of information in this excerpt on dripstones hint at why Ruskin remains influential.



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"Today, his ideas and concerns are widely recognized as having anticipated interest in environmentalism, sustainability and craft." - Wikipedia



Congratulations to Pernille Christensen for her prize, for her career and for introducing us to John Ruskin.



Bringing this back to the 21st century, Pernille explains the prize winning "Seed Project," a collaboration, working to develop a method to convert the shipping containers into homes.







The illustration are from Archive.org. Where you can find scans of all 3 volumes of The Stones of Venice.




The Book Supports the Prize

"J. Neel Reid, Architect by William R. Mitchell. Jr., published by The Georgia Trust, gives new life to Reid's rich legacy, keeping his influence fresh in this new century. The J. Neel Prize, provided by a Georgia Trust fund produced from the sale of the book, helps ensure continuation of Reid's influence among a new generation of architects." Buy the book to support the prize and to delight your family.


Quant la doulce jouvencelle - medieval letters and love songs.

This video features a love song from the 15th century: "Quant la doulce jouvencelle" performed by Asteria. It pleases me on many levels. I'm without my "duet partner" for the night and I'm feeling rather sentimental about her. These ancient walls are as mysterious and familiar as the tune.


Any French speakers out there who know the lyrics?

Anyone know this room?

Renaissance music in a 21st Century Gothic Chapel at Agnes Scott

Agnes Scott College dedicated the Julia Thompson Smith Chapel in 2008. It was time to see and hear it in action.
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I'm a lucky guy I tell you. Saturday at the last minute I headed to Agnes Scott to hear early music for free: "Sole, Luna, e Stelle; Music from the Time of Galileo." Advice to self: "Just go!"
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Here are the performers: "Muses' Delight" from Ashville (Gesa Kordes, violin; Barbara Weiss, harpsichord Gail Ann Schroeder, viola da gamba) with guest artists from Atlanta Francisca Vanherle, soprano and Paula Fagerberg, Baroque triple harp.

Galileo himself may have heard these works 400 years ago. Did he get as emotional as I did?

My eyes and ears had all they could handle. Smith Chapel soars but remains cozy and comfortable. The scissors patterned window seems in motion. My eyes danced in every direction. The curves, apexes, and thrusts repeated everywhere. I couldn't take it all in.
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Perfect acoustics? I don't know. Could any music have sounded better to me that night? The musicians certainly seemed happy with the sound.
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Gail Ann Schroeder, viola da gamba and Francisca Vanherle, Soprano.

After the show we toured the harpsichord and triple harp.
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Had a look at the rare Brombaugh Opus 31d organ in the balcony. I'd like to hear it some day.
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The narthex is stunning and comfortable for men wearing kilts.
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Barbara Weiss let us noodle on her beautiful 25 year old, 70 pound harpsichord.
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Thanks to Gail Ann Schroeder, viola-da-gamba and Gesa Kordes-violin.
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Thanks again to Gail Ann Schroeder and Francisca Vanherle soprano (right).
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Thanks,
Terry
terry @ surf303.com