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Showing posts with label Herzog - De Meuron. Show all posts
Showing posts with label Herzog - De Meuron. Show all posts

FLINDERS STREET STATION DESIGN COMPETITION BY HERZOG & DE MEURON + HASSELL



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The proposal integrates the station with the surrounding precincts that have grown up around it, providing better linkages between the CBD and the Yarra River.


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The proposal respects the linear nature and use of the site (East – West) as a strong marker and element between the city grid and the river. The laneway and movement patterns from the city, station to public transport and river are intertwined and connected.


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We provide significant civic space while allowing for a distinctive and memorable architectural outcome with a variety of uses.


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We create public amenity of the highest order and celebrate the architectural and urban qualities of the city with a distinguished and innovative design that enlivens the urban realm.


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We provide universal and diverse access opportunities from north to south. Historic views are maintained, and although our concept extends beyond the site boundary, the overall and integrated ideas operate and fully function regardless of these installations.


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Greater activation to the immediate west and western end of the site improves the northern and southern transit routes with the introduction of an open public access way through the Banana Alley Vaults and the new Welcome Place public space in front of the Immigration Museum.

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HERZOG & DE MEURON WIN COMPETITION TO DESIGN M+



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The West Kowloon Cultural District Authority has appointed Herzog - de Meuron and TFP Farrells to design the new building for M+. Based on the recommendation of an international selection jury, Herzog & de Meuron were selected ahead of five other short-listed architecture firms.


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M+ is the new museum for visual culture in Hong Kong, focusing on 20th and 21st century art, design, architecture and moving image. The building will be situated on the waterfront of Victoria Harbour at the edge of a planned 14-hectare park.


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It will be one of the first projects to be completed in the West Kowloon Cultural District, and a key venue in creating interdisciplinary exchange between the visual arts and the performing arts in Asia.


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Jacques Herzog:  “For art to enter into the life of a city like Hong Kong it has to come from below, from its own foundations. Our M+ Project does exactly that, by literally emerging from the city's underground."


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Pierre de Meuron: “We have made the underground tunnel of the Airport Express the raison d’être of a rough, large-scale exhibition universe that literally anchors the entire building in the ground. The tunnel has been uncovered, creating a radical space for art and design, installation and performance; it is a space of unprecedented potential and a challenge to artist and curator alike.”

SKOLKOVO UNIVERSITY MASTERPLAN BY HERZOG & DE MEURON

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Skolkovo is a private initiative backed by the Russian government for a new urban community 16 km west of Moscow. Christened after a nearby village, the new settlement will occupy an area of 4.8 km2. After a competition procedure in 2011, a conceptual masterplan was put in place as the basis for elaborating the individual schemes. Herzog - de Meuron was commissioned to design Skolkovo University.





The scheme comprises Skolkovo University itself, to be developed in two phases, together with proposals for a complete residential district housing students, teachers, professors and other new residents attracted to the new location. The designs for this residential quarter will be fleshed out in a subsequent phase starting in 2012. A new university for Moscow, for Russia, for the whole world – that is the political and economic intent, and the scientific aspiration. The aim then, in Skolkovo, is to create a whole new district imbued with civic life: living, working, shopping, journeying, relaxing...


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Another common feature of all the successful models is a nucleus, a distinctive centrepiece that can be extended and enhanced. The resulting urban "organism" retains its unique and distinctive character even after many years and – as, for instance, with Harvard Yard, MIT, Oxford's colleges – firmly roots the university in its setting, not only as an institution, but as a physical and spatial entity. A cylindrical shape that rises up from the middle circle will house the new university's agora and, visible from far, will at the same time make reference to the Moscow State University tower.


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This agora will accommodate key public functions such as administration, the Dean's Office, a faculty club as well as libraries and other amenities open to the community at large, such as cafés, bars etc. The two adjoining circles define the outer perimeter of the university. The interior of these circular shapes is filled out by a linear system of courtyards and building volumes housing the laboratories and offices of the five departments. The external perimeter and internal segments of the circles read as city boulevards: as places of movement, of arranged meetings and chance encounters.


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There are spots to linger, both indoors and outdoors, i.e. in the inner courtyards and gardens of the complex. The round exteriors lend the new university its own architectural identity as a new institution, single it out as an independent entity within the concurrently evolving district, with its clearly defined centre, residential quarters and business districts. The new university will thus assume a distinctive, sculptural form that sets it apart from the other buildings in the masterplan.



Location:Moscow, Russia


Partners:Jacques Herzog, Pierre de Meuron, Stefan Marbach, David KochProject Architects: Olga Bolshanina, Tomislav Dushanov (Associate), Tobias Winkelmann (Associate)

Project Team: Alexandria Algard, Sergio Cobos Alvarez, Miquel del Rio, Osma Lindroos, Frank Loer, Aron Lorincz, Martina Palocci, Enrique Peláez, Martin Raub, Raha Talebi, Ilia Tsachev, Florian Tschacher, Toru Wada, Shuo Susan WangYear:2013

Client: Skolkovo Foundation, Moscow, Russia

MIAMI ART MUSEUM BY HERZOG & DE MEURON



Herzog & de Meuron

Herzog & de Meuron’s design for the new Pérez Art Museum Miami is highly responsive to the city’s climate and the needs of a young, rising art museum. The three-story building will sit upon an elevated platform and below a canopy, both of which will extend far beyond the Museum’s walls, creating a shaded veranda and plazas.
 
Herzog & de Meuron

Working with local and international landscape designers and horticulturists, the architects will use this space to “bring the park into the museum” in new and innovative ways. The new Pérez Art Museum Miami (PAMM) will offer 200,000 square feet of programmable space, including 120,000 square feet of interior space, more than three times that of the Museum’s current facility.

Herzog & de Meuron

It will also include approximately 80,000 square feet of exterior program space for the display of works of art, educational activities, relaxation and dining. The building will also house an educational complex planned to foster active learning about and through art and art-making, with a library, auditorium, classrooms, art and digital media workshop spaces; and a restaurant and store.

Herzog & de Meuron

The new design will stimulate and support collection growth, enable MAM to better fulfill its role as the principal visual arts educational resource in the region, and support the institution’s expanded mission to serve local populations as a unique social forum.

Herzog & de Meuron

The interior of the Museum will comprise a series of distinct galleries and other public areas connected by a series of interstitial spaces displaying the permanent collection, allowing for a fluid visitor experience.

Herzog & de Meuron

Transparency on the first and third levels of the galleries will reveal the public and semi-public functions within: the entry halls, auditorium, shop and café on the first level and the education center and staff offices on the third.

Herzog & de Meuron

An open-air parking garage will be located beneath the Museum and surrounded by landscaping and terraces. The permanent collection galleries will be located on the first and, principally, the second level, which will also house extensive temporary exhibition galleries.

Herzog & de Meuron

While mainly oriented inward so as to focus on the art, the second floor galleries will incorporate carefully placed windows to allow for natural light and views of the surrounding park and bay. The main gallery level of the new museum will appear to hover between more transparent levels, all of which will be shaded by the canopy above. The canopy’s overhang will create a series of outdoor spaces that bridge the museum, park, and city.

Herzog & de Meuron

The canopy will be perforated to allow in light, and lush vegetation will literally be built amongst the columns, transforming the veranda into a multi-dimensional garden. The tropical plants enfolding the museum will be integral to the experience. The design allows for multiple transitions, as visitors gradually move from the outside to the inside, hot to cold, humid to dry, and from the street or park to the art.

Herzog & de Meuron

A set of stairs the width of the Museum will link the building to the bay walk in Museum Park. In recognition of PAMM’s role as an emerging and rapidly growing art museum, the architects have designed a building that can expand organically from within without major disruptions.

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Location: Miami, Florida, USA 
Architect: Herzog & deMeuron 
Design Architects: Jacques Herzog, Pierre De Meuron, Christine Binswanger 
Project Managers: Kentaro Ishida, Charles Stone, Stefan Hörner 
Executive Architect: Handel Architects 
Project Director: Paratus Group 
Green Initiative:  Planned For Leed Silver 
Area: 200,000 Ft2 
Area Interior: 120,000 Ft2 
Area Exterior: 80,000 Ft2 
Budget Total: 220 Million Usd 
Open To Public: December 2013 
Client: Miami Art Museum, Miami, USA

1111 LINCOLN ROAD BY HERZOG & DE MEURON


Herzog & de Meuron



The mixed use development called 1111 Lincoln Road in Miami Beach comprises four different parcels. An existing building, the former Suntrust building, is renewed since the bank has left the building to be accommodated around the corner. A mixed use structure for parking, retail and a private residence becomes attached to the Suntrust building.


Herzog & de Meuron


A two-story building with the relocated bank on the ground floor and four residences on the upper floor faces Alton Road, with a landscaped alley and surface parking lot behind it. A car park is a public facility, like a train station or an airport, where people change from one mode of transportation to another. Lincoln Road Mall is a very alive, urban experience, a pedestrian shopping street where small-scale restaurants and bars serve their customers day and night, all year round, under lush trees and stars. 1111 is a new place for people to leave their cars so they can hang out on Lincoln Road Mall, go see a movie or have a swim in the ocean.


Herzog & de Meuron


To create another standard parking structure on a retail base, with a façade that hides the ugliness of what is being stored inside, and a recessed penthouse on top would not have answered the urban requirements of this place. Seeing the potential of the project, Miami Beach authorities courageously approved more height on this corner, but not more FAR. The additional height granted is used for higher ceilings, more air, panoramic views and better looks at the structure. The nature of Lincoln Road was the one source of inspiration for the architecture of the car park, its being connected to the massive, closed Suntrust office building the other.


Herzog & de Meuron


The garage is a fully open concrete structure. Ceiling heights vary between standard parking height and double or even triple height, in order to accommodate other programs, permanently as well as temporarily. A retail unit and a private residence are located on the upper levels, and the structure can be used for parties, photo or film shoots, fashion shows, concerts or other social or commercial activities, offering amazing views as the backdrop for the stage.


Herzog & de Meuron


An unenclosed, sculptural stair in the centre of the building makes pedestrian circulation in the garage a panoramic, ceremonial experience, as is moving through the building in a car. The private residence that is nested on a mezzanine of the top floor of the car park spills out to terraces; it is folded into the structure yet screened by excessive landscaping. The terraces also bridge across to the roof of the existing building.


Herzog & de Meuron


The structure is the architecture. The car park is an organism made up of a family of concrete slabs, deployed as floor plates, columns and ramps. The location and form of these elements result from a series of forces acting upon each other, a complex overlapping of site and building code requirements, combined with program choices and the aspiration to both integrate with Lincoln Road Mall and to formulate its beginning at the corner of Alton Road.


Herzog & de Meuron

1111 includes the transformation of the massive Suntrust Bank building from the 1970s into a publicly accessible place. The lowest floor plate of the car park cuts away a large part of the ground floor of this building, creating a fully glazed, kinked storefront all along Lincoln Road. The new structure slips under and opens up the heavy concrete building for 16 tenants who bring new brands to Lincoln Road Mall, from Y3 to Osklen to Taschen to Nespresso, from clothes to books to coffee and so forth.


Herzog & de Meuron


A new entry and an open, lit staircase in one of the existing corner towers of the Suntrust building indicate the new rooftop restaurant, which offers exquisite views over the Art Deco District and the Miami Beach skyline alongside the Atlantic Ocean. The new Suntrust Bank is a kind of “architecture with no architects”- it tries not to make an architectural statement towards Alton Road, next to the rather expressive car park.


Herzog & de Meuron


It is a two-story stucco building with the bank on the ground floor and four identical, introverted houses on the upper floor. As the site has no views to offer, the scenery for the apartments is created by two carefully landscaped courtyards, and the façade expresses nothing more than the stairs behind a white ornamental lattice. Finally, Lincoln Road Mall itself has been redesigned between 1111 and the cinema across the street. Before the transformation, this last block was still open for automobile traffic.


Herzog & de Meuron


The full width of the street is paved in black and white stripes of natural stone, from façade to façade, creating a generous common plaza with groups of trees of substantial age and size. Restaurants are limited in number in order to keep a large area of “commerce free” public space - instead of chairs and tables there are benches and water features inviting visitors to sit down and relax. A glass pavilion by Dan Graham raises the status of the plaza to yet another level.

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Location: Miami Beach, USA


Partners: Jacques Herzog, Pierre de Meuron, Christine Binswanger

Project Managers: Jason Frantzen (Associate), Nils Sanderson, Charles Stone (Associate)
Project Team: Mark Loughnan (Associate), Karl Blette, Christopher Haas, Yong Huang, Yuichi Kodai, Paul Martinez, Mehmet Noyan, Caro van der Venne, Savannah Lamal

Architect of Record: Charles H. Benson & Associate Architects

Structural Engineering: Optimus Structural Design LLC

General Contractor: G.T. McDonald Enterprises, Inc.

HVAC, Plumbing, Mechanical, Electrical Engineering: Franyie Engineers, Inc.

Landscape Design: Raymond Jungles

Civil Engineering Consultant: Kimley Horn and Associates

Branding Consultant and Signage Concept: Wolff Olins

Signage: Tom Graboski Associates, Inc.

Area: 2,510sqm Building Footprint: 2,125sqm / 26,486sqft

Year: 2010

Client: MBeach1 and Robert Wennett
Photography: Nelson Garrido