That's the spirit!
Original post:
Folks said I'd fall in love and I did. I never expected to see it again but I had hopes. It was 7,000+ square feet perfectly sited on 5 acres, a landmark in Atlanta's most prestigious neighborhood. From Habersham it seemed a perfectly framed hilltop folly in the form of a Greek temple. Yet this giant house wasn't intimidating. It was a family home scaled for humans.
Thank goodness I took a few exterior pictures. Here's what it looks like today "Huge Buckhead home goes up in flames" - Atlanta Journal Constitution.
Rodolfo Castro invited me to Buckhead in Bloom, a fundraiser for the Atlanta Preservation Center. That was April 11, 2010, four years before the Cam Dorsey Residence burned down.
We lost two great houses in two weeks: the Aronstam House burned on March 18 and now this.
]It's a Neel Reid Design, Hentz, Reid & Adler Job 527 1923-24 (See J.Neel Reid Architect: Of Hentz, Reid & Adler & the Georgia School of Classicists by William R. Mitchell Jr.). Photo is from 1929, image purchased from the Atlanta History Center.
A winged Cape Cod with porticoes everywhere.
This is the Vernon side, the back side, the main entry that you can't see from the street.
Photo is from 1929, image purchased from the Atlanta History Center. See below for the precedent of the polygonal porch.
Neel Reid got it right the first time and gave it a motif for integrating additions.
You could see all the way through to the Hambersham side, through the picturesque portico visible from Habersham.
It's a low rambling complex with sheltering porches and no steps.
Four porches in a row.
This is the view from Habersham. 1929 image purchased from the Atlanta History Center.
The portico you could see from Habersham was a glassed-in sun room.
It was all shutters, gables and porticoes. 1929 image purchased from the Atlanta History Center.
The additions kept the spirit.
From the street you'd never know.
What about the polygonal porch?
Photo by Rictor Norton & David Allen from Flickr.
Polygonal entrance from George Mason "Gunston Hall" River front entrance. Thanks to Robert Craig for telling me about it.
"As Buckland used polygons on the river porch at Gunston Hall and later on the two wings of the Hammond-Harwood House in Annapolis, he seemed to espouse a form then achieving popularity in Britain. Unlike the building committee, Mason did adopt Buckland's suggestion for a polygonal entrance as well as the unusual Gothic detailing which marked his garden porch. In this instance and others Mason does seem to have adopted a number of ideas, probably originating with Buckland and possibly Sears as well, which went beyond stylistic norms in the Chesapeake."