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Showing posts with label Parking. Show all posts
Showing posts with label Parking. Show all posts

CHARGING STATIONS FOR ELECTRIC VEHICLES BY KKA

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More and more electrical vehicles travel the streets of Gothenburg, Sweden. Therefore the city asked KKA to design three charging stations serving electrical cars, bikes, mopeds and trucks.


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The loading stations should not only provide a practical function, they should also stand as symbols for a new more sustainable city. The charging stations come in three sizes all with the same formal language for recognition.

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They are built using FSC-certified local wood. To provide a smooth and safe logistics cars are separated from bikes and mopeds as they are parked on an elevated ramp.

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A roof tilted towards the south and covered with solar cells provides shelter for the cars. The solar cells are estimated to provide most of the energy used for charging the vehicles.

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As charging a car or bike might take around 15-20 minutes there are some activities offered for the people waiting for a full battery.

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There is a bike repair shop, an outdoor gym and free Wi-Fi. The center of the building opens up to a small courtyard housing a grass lawn and a café pavilion.

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Location:Gothenburg, Sweden
Project Team: Fredrik Kjellgren, Joakim Kaminsky, Helder Pinto, Kay Chang, Michele Pascucci
Status:Idea
Year:2013
Client:Gothenburg Traffic Office
Photographs:Kjellgren Kaminsky Architecture

FESTSPIEL GARAGE ERL BY KLEBOTH LINDINGER DOLLNIG



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The new festival parking garage is the final component in the repositioning of the Tyrolean Festival Erl.



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Not far from the famous Passionsspielhaus and the spectacular new Winter Festival Hall, the new parking garage with 550 parking spaces is built. The garage develops a unique character.


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Seen from the south it is very carefully embedded in the landscape, from the north, however, it is clearly visible. Here, the garage becomes a stage for the festival guests: When exiting the garage, visitors enter a gallery overlooking the Inn valley.


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Only gradually the festival houses come into view. A clean cut 150m long wall creates a clear separation between outer space and car parking area. Optimal orientation is guaranteed by an innovative, cheerful color scheme.


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The three-storey structure is the latest addition to the Tyrolean Festival site, which features a 1950s summer theatre and a recently completed winter concert hall.


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Previously there were no nearby parking facilities, so Kleboth Lindinger Dollnig was asked to add some without disrupting views across the landscape.


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The steeply sloping site allowed the architects to design the building as an extension of the hillside, with a grass roof that visitors can walk over.


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"We wanted to create a magic structure but not a typical house," architect Gerhard Dollnig. "Visitors to the Festspiele Erl should have the feeling that the garage is something like the start ramp of the event."

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Location: ERl, Austria


Light Designer:Halotech Lichtfabrik

Area: 13,000 m2

Year: 2012

1111 LINCOLN ROAD BY HERZOG & DE MEURON


Herzog & de Meuron



The mixed use development called 1111 Lincoln Road in Miami Beach comprises four different parcels. An existing building, the former Suntrust building, is renewed since the bank has left the building to be accommodated around the corner. A mixed use structure for parking, retail and a private residence becomes attached to the Suntrust building.


Herzog & de Meuron


A two-story building with the relocated bank on the ground floor and four residences on the upper floor faces Alton Road, with a landscaped alley and surface parking lot behind it. A car park is a public facility, like a train station or an airport, where people change from one mode of transportation to another. Lincoln Road Mall is a very alive, urban experience, a pedestrian shopping street where small-scale restaurants and bars serve their customers day and night, all year round, under lush trees and stars. 1111 is a new place for people to leave their cars so they can hang out on Lincoln Road Mall, go see a movie or have a swim in the ocean.


Herzog & de Meuron


To create another standard parking structure on a retail base, with a façade that hides the ugliness of what is being stored inside, and a recessed penthouse on top would not have answered the urban requirements of this place. Seeing the potential of the project, Miami Beach authorities courageously approved more height on this corner, but not more FAR. The additional height granted is used for higher ceilings, more air, panoramic views and better looks at the structure. The nature of Lincoln Road was the one source of inspiration for the architecture of the car park, its being connected to the massive, closed Suntrust office building the other.


Herzog & de Meuron


The garage is a fully open concrete structure. Ceiling heights vary between standard parking height and double or even triple height, in order to accommodate other programs, permanently as well as temporarily. A retail unit and a private residence are located on the upper levels, and the structure can be used for parties, photo or film shoots, fashion shows, concerts or other social or commercial activities, offering amazing views as the backdrop for the stage.


Herzog & de Meuron


An unenclosed, sculptural stair in the centre of the building makes pedestrian circulation in the garage a panoramic, ceremonial experience, as is moving through the building in a car. The private residence that is nested on a mezzanine of the top floor of the car park spills out to terraces; it is folded into the structure yet screened by excessive landscaping. The terraces also bridge across to the roof of the existing building.


Herzog & de Meuron


The structure is the architecture. The car park is an organism made up of a family of concrete slabs, deployed as floor plates, columns and ramps. The location and form of these elements result from a series of forces acting upon each other, a complex overlapping of site and building code requirements, combined with program choices and the aspiration to both integrate with Lincoln Road Mall and to formulate its beginning at the corner of Alton Road.


Herzog & de Meuron

1111 includes the transformation of the massive Suntrust Bank building from the 1970s into a publicly accessible place. The lowest floor plate of the car park cuts away a large part of the ground floor of this building, creating a fully glazed, kinked storefront all along Lincoln Road. The new structure slips under and opens up the heavy concrete building for 16 tenants who bring new brands to Lincoln Road Mall, from Y3 to Osklen to Taschen to Nespresso, from clothes to books to coffee and so forth.


Herzog & de Meuron


A new entry and an open, lit staircase in one of the existing corner towers of the Suntrust building indicate the new rooftop restaurant, which offers exquisite views over the Art Deco District and the Miami Beach skyline alongside the Atlantic Ocean. The new Suntrust Bank is a kind of “architecture with no architects”- it tries not to make an architectural statement towards Alton Road, next to the rather expressive car park.


Herzog & de Meuron


It is a two-story stucco building with the bank on the ground floor and four identical, introverted houses on the upper floor. As the site has no views to offer, the scenery for the apartments is created by two carefully landscaped courtyards, and the façade expresses nothing more than the stairs behind a white ornamental lattice. Finally, Lincoln Road Mall itself has been redesigned between 1111 and the cinema across the street. Before the transformation, this last block was still open for automobile traffic.


Herzog & de Meuron


The full width of the street is paved in black and white stripes of natural stone, from façade to façade, creating a generous common plaza with groups of trees of substantial age and size. Restaurants are limited in number in order to keep a large area of “commerce free” public space - instead of chairs and tables there are benches and water features inviting visitors to sit down and relax. A glass pavilion by Dan Graham raises the status of the plaza to yet another level.

Herzog & de Meuron
Herzog & de Meuron 








Herzog & de Meuron Herzog & de Meuron









Herzog & de Meuron
Herzog & de Meuron 










Location: Miami Beach, USA


Partners: Jacques Herzog, Pierre de Meuron, Christine Binswanger

Project Managers: Jason Frantzen (Associate), Nils Sanderson, Charles Stone (Associate)
Project Team: Mark Loughnan (Associate), Karl Blette, Christopher Haas, Yong Huang, Yuichi Kodai, Paul Martinez, Mehmet Noyan, Caro van der Venne, Savannah Lamal

Architect of Record: Charles H. Benson & Associate Architects

Structural Engineering: Optimus Structural Design LLC

General Contractor: G.T. McDonald Enterprises, Inc.

HVAC, Plumbing, Mechanical, Electrical Engineering: Franyie Engineers, Inc.

Landscape Design: Raymond Jungles

Civil Engineering Consultant: Kimley Horn and Associates

Branding Consultant and Signage Concept: Wolff Olins

Signage: Tom Graboski Associates, Inc.

Area: 2,510sqm Building Footprint: 2,125sqm / 26,486sqft

Year: 2010

Client: MBeach1 and Robert Wennett
Photography: Nelson Garrido

MOTORINO CHECKPOINT COMPETITION BY JGCH

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“The Motorino Checkpoint proposal for a competition hosted by ArchMedium is efficiently rigorous, as well as conceptually poetic and playful. It reflects not only the demands of the program, but also how fun it really is to ride a motorino in Rome, Italy.

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Situated next to Termini Station adjacent to the great imperial Baths of Diocletian and caught in between modern and ancient Rome, this small site becomes an opportunity to re-brand the contemporary program of a parking garage with the strategies and effects of antiquity.
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The contrasting spatial transitions present in the Roman Bath typology which creates a rhythm of different planar configurations aligned on a straight axis served as the main organization scheme for the project.
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This allowed the autonomous pairing of the programs with the most effective shapes for their functions and produced a sequence of highly efficient forms: the circular ramp, the parking box and the triangular pavilion.
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Four strategies were part of the design. First, the choosing of the grid which is related to the Baths of Diocletian and the ancient city, with the hope to tie the project to this part of the neighborhood which was the source of strategies for the design. Secondly, the organizational scheme used references strategies found in the roman bath typology.
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The third strategy involved maximum efficiency, using the 45 degree parking layout due to its unsurpassed competence and because of its conceptual resemblance to the roman herringbone brick pattern used in the baths (Opus Spicatum). Lastly it was desired to imbed the project with the playfulness connected with riding a motorino and also to display them to the passing city.
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By producing a sweeping, if somewhat precarious, arrival spiral promenade an urban performance stage is created which capitalizes on the speed and excitement of the motorino. The wall design, which maximizes the display of the motorinos, becomes a live mosaic and showpiece of this icon of roman life.”
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Location: Termini Station - Baths of Diocletian, Rome, Italy
Architect: JGCH - Javier Galindo
Program: Parking
Year: 2014
Status: Competition
Images and text: Courtesy by JGCH

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